It sits looking over harbor and city on silent haunches and then moves on. Which lines from "The Love Song of J.Alfred Prufrock" most likely influenced Sandburg's poem? Let us go then you and I, When the evening is spread out against the sky Like a patient etherized upon a table; The yellow smoke that rubs its muzzle on the window-panes, Licked its tongue into the corners of the evening, Lingered upon the pools that stand in drains. I should have been a pair of ragged claws Scuttling across the floors of silent seas. Shall I say, I have gone at dusk through narrow streets And watched the smoke that rises from the pipes Of lonely men in shirt-sleeves, leaning out of windows?

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It sits looking over harbor and city on silent haunches and then moves on. Which lines from "The Love Song of J.Alfred Prufrock" most likely influenced Sandburg's poem? Let us go then you and I, When the evening is spread out against the sky Like a patient etherized upon a table; The yellow smoke that rubs its muzzle on the window-panes, Licked its tongue into the corners of the evening, Lingered upon the pools that stand in drains. I should have been a pair of ragged claws Scuttling across the floors of silent seas. Shall I say, I have gone at dusk through narrow streets And watched the smoke that rises from the pipes Of lonely men in shirt-sleeves, leaning out of windows?

Answer 1

The lines from *"The Love Song of J. Alfred Prufrock"* by T.S. Eliot that most likely influenced Carl Sandburg's poem are:**"The yellow smoke that rubs its muzzle on the window-panes, Licked its tongue into the corners of the evening, Lingered upon the pools that stand in drains."**### Explanation:In Sandburg's poem, the fog is personified as a living creature, sitting "on silent haunches" and moving quietly through the city. Similarly, in Eliot's poem, the "yellow smoke" is also personified, described as rubbing its "muzzle" and licking its "tongue," evoking an image of a cat-like or animalistic presence. Both poets use vivid imagery to describe the movement of fog or smoke in a way that suggests quiet observation and fluid motion. This thematic and stylistic similarity makes these lines the most likely influence on Sandburg's work.

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