Question 11 (1point) A few years ago in the late 1920s.Alain Lercy Locke, a professor at Howard University came to Harlem to gather material for the now famous Narlem Number of the Sunny Graphic (magazine) and was hailed as the discoverer of artistic Harlem. "The Whites who read that issue of the Sunny Graphic became aware that in Harlem, the largest Negro city in the world, there existed a group interested in the fine arts, creative literature, and classical musiC. So, well meaning vapid [5Ull] Whites from downtown New York came by bus, subway, or in limusines,to bee for themselves these Nogroes who wrote poetry and fiction and painted pictures. Wourse said these plyime It couldn't approach the creative results of Whites, but as a novely, well It didn't need standards The very fact that these Blacks had the tementy to produce socalled Art, and not its quality made the whole fantastic movement so aluring News that Harlem had become a paradise spread rapidly and from villages and towns all over America __ there began a slack migration of quaint (eccentric) characters, each with a message, who descended lupon Harlem, sought out the cafes, lifted teacupe with a jutting little finger, and cheamed of sponers: Levi C. Hubert African American journalist essay reflecting on life in Harlem in the 1920s, written in 1938 Which of the following best explains a context for the development depicted in the excerpt? African American shareoropping led to the creation of a new southern regional identity. b African American pointers created works to advocate against fascist ideologies. c Uban centers provided African Americans with opportunities for artistic expression. d Market instability caused African Americans to seek work as writers

Question

Question 11 (1point) A few years ago in the late 1920s.Alain Lercy Locke, a professor at Howard University came to Harlem to gather material for the now famous Narlem Number of the Sunny Graphic (magazine) and was hailed as the discoverer of artistic Harlem. "The Whites who read that issue of the Sunny Graphic became aware that in Harlem, the largest Negro city in the world, there existed a group interested in the fine arts, creative literature, and classical musiC. So, well meaning vapid [5Ull] Whites from downtown New York came by bus, subway, or in limusines,to bee for themselves these Nogroes who wrote poetry and fiction and painted pictures. Wourse said these plyime It couldn't approach the creative results of Whites, but as a novely, well It didn't need standards The very fact that these Blacks had the tementy to produce socalled Art, and not its quality made the whole fantastic movement so aluring News that Harlem had become a paradise spread rapidly and from villages and towns all over America __ there began a slack migration of quaint (eccentric) characters, each with a message, who descended lupon Harlem, sought out the cafes, lifted teacupe with a jutting little finger, and cheamed of sponers: Levi C. Hubert African American journalist essay reflecting on life in Harlem in the 1920s, written in 1938 Which of the following best explains a context for the development depicted in the excerpt? African American shareoropping led to the creation of a new southern regional identity. b African American pointers created works to advocate against fascist ideologies. c Uban centers provided African Americans with opportunities for artistic expression. d Market instability caused African Americans to seek work as writers

Answer 1

The best explanation for the context of the development depicted in the excerpt is 'C'. Urban centers provided African Americans with opportunities for artistic expression.

Answer 2

## Step 1The first step in solving this problem is to understand the context of the excerpt. The excerpt is a reflection by Levi C. Hubert, an African American journalist, on life in Harlem in the 1920s. The text discusses the influx of African Americans to Harlem, where they found opportunities for artistic expression.## Step 2Next, we need to analyze the options given. Each option provides a different context for the development depicted in the excerpt.## Step 3Option A suggests that African American sharecropping led to the creation of a new southern regional identity. However, the excerpt does not discuss sharecropping or a new southern regional identity.## Step 4Option B suggests that African American painters created works to advocate against fascist ideologies. Again, the excerpt does not discuss fascist ideologies or painting.## Step 5Option C suggests that urban centers provided African Americans with opportunities for artistic expression. This aligns with the context of the excerpt, which discusses the influx of African Americans to Harlem, where they found opportunities for artistic expression.## Step 6Option D suggests that market instability caused African Americans to seek work as writers. The excerpt does not discuss market instability or seeking work as writers.

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