(The women draw nearer.) MRS. PETERS (to the other woman). Oh, her fruit; it did freeze (To the Lawyer). She worried about that when it turned so cold. She said the fire'd go out and her jars would break. SHERIFF. Well, can you beat the women! Held for murder and worryin'about her preserves. COUNTY ATTORNEY. I guess before we're through she may have something more serious than preserves to worry about. HALE. Well, women are used to worrying over trifles. (The two women move a little closer together.) In a film production where should the camera focus if the director wants to emphasize the men's emotions? on the women's actions on close-ups of the women on close-ups of the men on the characters' costumes

## Step 1<br />The problem is about film production and the use of camera angles to emphasize certain emotions or aspects in a scene. The director wants to emphasize the men's emotions. <br /><br />## Step 2<br />The options provided are: on the women's actions, on close-ups of the women, on close-ups of the men, and on the characters' costumes.<br /><br />## Step 3<br />The director's goal is to emphasize the men's emotions. Therefore, the camera should focus on the men. <br /><br />## Step 4<br />Among the options, the one that best aligns with the director's goal is "on close-ups of the men". This is because close-ups allow the audience to see the men's facial expressions and body language, which can convey their emotions.