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When jazz musician Dorothy Ashby decided to trade her piano for a harp in the early 1950s, people didn't know what to think. All they knew was that the harp was a classical music instrument, not a jazz instrument. There was a belief among jazz musicians that the harps were novelties, and that their light and airy sound was too delicate for the bebop^1 and hard bop^2 jazz styles that were popular at the time. They believed that unlike popular jazz instruments such as the saxophone and the guitar, harps couldn't play chords or melodies , and that harp players couldn't lead bands. Ashby didn't listen to them. She just played.She and the group she led played dances and weddings. They toured the country.Ashby performed the soundtracks for plays that she and her husband wrote together. Her work paid off.In 1962, she was named one of the best jazz performers.Following that, she recorded groundbreaking albums such as Afro-Harping and The Rubiyat of Dorothy Ashby, which are now considered jazz classics. 1 a style of fast-paced jazz that became popular in the 1940s 2 a form of bebop that is influenced by rhythm & blues, gospel and blues music Question: Which textual evidence most strongly suggests that Dorothy Ashby is an important figure in jazz music? A She traveled around the country playing with the band she led. She was solely responsible for bringing the harp into jazz music. C She recorded albums that are now considered to be "classics." She played the jazz harp even though it made her unpopular.

Problemas

When jazz musician Dorothy Ashby decided to trade her piano for a harp in the early 1950s, people didn't know what to think. All they knew was that the harp was a classical music instrument, not a jazz instrument. There was a belief among jazz musicians that the harps were novelties, and that their light and airy sound was too delicate for the bebop^1 and hard bop^2 jazz styles that were popular at the time. They believed that unlike popular jazz instruments such as the saxophone and the guitar, harps couldn't play chords or melodies , and that harp players couldn't lead bands. Ashby didn't listen to them. She just played.She and the group she led played dances and weddings. They toured the country.Ashby performed the soundtracks for plays that she and her husband wrote together. Her work paid off.In 1962, she was named one of the best jazz performers.Following that, she recorded groundbreaking albums such as Afro-Harping and The Rubiyat of Dorothy Ashby, which are now considered jazz classics. 1 a style of fast-paced jazz that became popular in the 1940s 2 a form of bebop that is influenced by rhythm & blues, gospel and blues music Question: Which textual evidence most strongly suggests that Dorothy Ashby is an important figure in jazz music? A She traveled around the country playing with the band she led. She was solely responsible for bringing the harp into jazz music. C She recorded albums that are now considered to be "classics." She played the jazz harp even though it made her unpopular.

When jazz musician Dorothy Ashby decided to trade her piano for a harp in the early 1950s, people didn't know what to think. All they knew was that the harp was a classical music instrument, not a jazz instrument. There was a belief among jazz musicians that the harps were novelties, and that their light and airy sound was too delicate for the bebop^1 and hard bop^2 jazz styles that were popular at the time. They believed that unlike popular jazz instruments such as the saxophone and the guitar, harps couldn't play chords or melodies , and that harp players couldn't lead bands. Ashby didn't listen to them. She just played.She and the group she led played dances and weddings. They toured the country.Ashby performed the soundtracks for plays that she and her husband wrote together. Her work paid off.In 1962, she was named one of the best jazz performers.Following that, she recorded groundbreaking albums such as Afro-Harping and The Rubiyat of Dorothy Ashby, which are now considered jazz classics. 1 a style of fast-paced jazz that became popular in the 1940s 2 a form of bebop that is influenced by rhythm & blues, gospel and blues music Question: Which textual evidence most strongly suggests that Dorothy Ashby is an important figure in jazz music? A She traveled around the country playing with the band she led. She was solely responsible for bringing the harp into jazz music. C She recorded albums that are now considered to be "classics." She played the jazz harp even though it made her unpopular.

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Manuelaprofessionell · Tutor durante 6 años
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The question asks which textual evidence most strongly suggests that Dorothy Ashby is an important figure in jazz music. Let's analyze each option:<br /><br />1. "She traveled around the country playing with the band she led." - While this shows that she was active in the music scene, it doesn't necessarily indicate her importance in jazz music.<br /> <br />2. "She was solely responsible for bringing the harp into jazz music." - This statement is not supported by the text. The text mentions that there was a belief among jazz musicians that the harp was not suitable for jazz, but it doesn't say that Ashby was solely responsible for bringing it into jazz.<br /><br />3. "She recorded albums that are now considered to be 'classics.'" - This is the most compelling evidence of her importance in jazz music. Recording albums that are now considered classics indicates that her work has had a lasting impact on the genre.<br /><br />4. "She played the jazz harp even though it made her unpopular." - While this shows her determination and individuality, it doesn't necessarily indicate her importance in jazz music.<br /><br />Therefore, the most strong textual evidence that suggests Dorothy Ashby is an important figure in jazz music is that she recorded albums that are now considered to be "classics."
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