In the 1980s, many musicians and journalists in the English-speaking world began to draw attention to music from around the globe -such as mbaganga from South Africa and quan họ from Vietnam-that can't be easily categorized according to British or North American popular music genres, typically referring to such music as "world music." While some scholars have welcomed this development for bringing diverse musical forms to prominence in countries where they'd previously been overlooked musicologist Su Zheng claims that the concept of world music homogenizes highly distinct traditions by reducing them all to a single category. Which finding about mbaqanga and quan họ , if true, would most directly support Zheng's claim? Choose 1 answer: A Mbaqanga is significantly more popular in the English speaking world than quan họ is B Mbaqanga and quan ho developed independently of each other and have little in common musically. C Mbaqanga and quan ho are now performed by a diverse array of musicians with no direct connections to South Africa or Vietnam. B Mbaganga and quan ho are highly distinct from British and North