Pagina de inicio
/
Arte
/
Amember of the Otomi, an Indigenous people in Central Mexico, Octavio Medelin immigrated to the United States as a child, and his sculpture bears the impress of traditions on both sides of the border: US based modernist sculpture, Mexican modernist painting Otomi art, and the ancient sculpture of other Mexican Indigenous peoples, including the Maya. In his 1950 masterpiece History of Mexico, Medellin fuses these Influences into a style so idioyncratic that It resists efforts to view his work through the lens of nationality or cultural identity, Artists, he insisted, should strive for individual expression, even as they draw inspiration from their heritage and the communities where they live and work. Which quotation from an art critic most directly challenges the underlined claim in the text? __ A While A History of Mexico features modernist motifs it relies primarily on angular human forms in profile-a staple of Maya __ sculpture-and thus invites classification as Indigenous art: D "Although a number of ancient Indigenous artistic traditions pictured human forms in profile, the forms populating the surface of A History of Mexico suggest a specifically Maya influence." C "In A History of Mexico, the synthesis of ancient and modernist traditions functions as a stylistic parallel to the work's subject matter:a survey of centuries of Mexican history: D "Many critics focus on Indigenous influences in A History of Mexico and other key works by Medellin to the exclusion of influences

Problemas

Amember of the Otomi, an Indigenous people in Central Mexico, Octavio Medelin immigrated to the United States as a child, and his sculpture bears the impress of traditions on both sides of the border: US based modernist sculpture, Mexican modernist painting Otomi art, and the ancient sculpture of other Mexican Indigenous peoples, including the Maya. In his 1950 masterpiece History of Mexico, Medellin fuses these Influences into a style so idioyncratic that It resists efforts to view his work through the lens of nationality or cultural identity, Artists, he insisted, should strive for individual expression, even as they draw inspiration from their heritage and the communities where they live and work. Which quotation from an art critic most directly challenges the underlined claim in the text? __ A While A History of Mexico features modernist motifs it relies primarily on angular human forms in profile-a staple of Maya __ sculpture-and thus invites classification as Indigenous art: D "Although a number of ancient Indigenous artistic traditions pictured human forms in profile, the forms populating the surface of A History of Mexico suggest a specifically Maya influence." C "In A History of Mexico, the synthesis of ancient and modernist traditions functions as a stylistic parallel to the work's subject matter:a survey of centuries of Mexican history: D "Many critics focus on Indigenous influences in A History of Mexico and other key works by Medellin to the exclusion of influences

Amember of the Otomi, an Indigenous people in Central Mexico, Octavio Medelin immigrated to the United States as a child, and his sculpture bears the impress of traditions on both sides of the border: US based modernist sculpture, Mexican modernist painting Otomi art, and the ancient sculpture of other Mexican Indigenous peoples, including the Maya. In his 1950 masterpiece History of Mexico, Medellin fuses these Influences into a style so idioyncratic that It resists efforts to view his work through the lens of nationality or cultural identity, Artists, he insisted, should strive for individual expression, even as they draw inspiration from their heritage and the communities where they live and work. Which quotation from an art critic most directly challenges the underlined claim in the text? __ A While A History of Mexico features modernist motifs it relies primarily on angular human forms in profile-a staple of Maya __ sculpture-and thus invites classification as Indigenous art: D "Although a number of ancient Indigenous artistic traditions pictured human forms in profile, the forms populating the surface of A History of Mexico suggest a specifically Maya influence." C "In A History of Mexico, the synthesis of ancient and modernist traditions functions as a stylistic parallel to the work's subject matter:a survey of centuries of Mexican history: D "Many critics focus on Indigenous influences in A History of Mexico and other key works by Medellin to the exclusion of influences

Solución

avatar
Oliviamaestro · Tutor durante 5 años
expert verifiedVerificación de expertos
4.2 (237 votos)

Responder

The answer is 'A'.

Explicar

## Step 1<br />The problem is a reading comprehension question that requires understanding the text and identifying the statement that most directly challenges the underlined claim. The underlined claim is that Octavio Medellin's work resists efforts to view through the lens of nationality or cultural identity.<br /><br />## Step 2<br />We need to analyze each option and determine which one most directly challenges the underlined claim.<br /><br />## Step 3<br />Option A suggests that Medellin's work can be classified as Indigenous art due to its reliance on angular human forms in profile, a staple of Maya sculpture. This statement directly challenges the underlined claim by suggesting that Medellin's work can be classified based on nationality or cultural identity.<br /><br />## Step 4<br />Option B focuses on the influence of ancient Indigenous traditions on Medellin's work, but it does not directly challenge the underlined claim.<br /><br />## Step 5<br />Option C discusses the synthesis of ancient and modernist traditions in Medellin's work, but it does not directly challenge the underlined claim.<br /><br />## Step 6<br />Option D talks about the focus of critics on Indigenous influences in Medellin's work, but it does not directly challenge the underlined claim.
Haz clic para calificar: