(The women draw hearer.) MRS. PETERS (to the other woman). Oh, her fruit; it did freeze.(To the Lawyer). She worried about that when it turned so cold. She said the fire'd go out and her jars would break. SHERIFF. Well, can you beat the women! Held for murder and worryin about her preserves. COUNTY ATTORNEY. I guess before we're through she may have something more serious than preserves to worry about. HALE. Well, women are used to worrying over trifles. (The two women move a little closer together.) In a film production where should the camera focus if the director wants to emphasize the men's emotions? on the women's actions on close-ups of the women on close-ups of the men on the characters' costumes

## Step 1<br />The problem is about film production and directing, specifically focusing on camera angles and shot types. The director wants to emphasize the men's emotions in a scene. The options provided are: on the women's actions, on close-ups of the women, on close-ups of the men, and on the characters' costumes.<br /><br />## Step 2<br />The first option, focusing on the women's actions, would not emphasize the men's emotions. This is because the focus would be on the women's actions, not the men's emotions.<br /><br />## Step 3<br />The second option, focusing on close-ups of the women, would also not emphasize the men's emotions. This is because the focus would be on the women, not the men.<br /><br />## Step 4<br />The third option, focusing on close-ups of the men, would emphasize the men's emotions. This is because close-ups allow the audience to see the subtle expressions and reactions of the men, which can convey their emotions.<br /><br />## Step 5<br />The fourth option, focusing on the characters' costumes, would not emphasize the men's emotions. This is focus would be on the costumes, not the men's emotions.