Ayuda con la tarea de arte

Los estudiantes de arte y entusiastas del arte que están en el proceso de aprender a dibujar pueden publicar sus trabajos en la ayuda con las tareas de arte con sus compañeros de clase para comunicarse entre sí. Esta herramienta de tareas de arte se centra en las revisiones del trabajo de los estudiantes y guía a los estudiantes de arte para que aprueben con éxito exámenes importantes. Ya sea que tenga un problema difícil en el proceso de pintura o que de repente pierda la inspiración creativa. Comience y obtenga las mejores respuestas.

3. Which answer best describes why floral wire is used? A. To attach the stems to the arrangement B. To strengthen floral stems C. To make the arrang ement more decorative D. To extend the life of the flower

2. Lucy is using water-proof specialty glue to attach filler flowers to her corsage. Which term best describes what she is using? A. Floral adhesives B. Crowning glory C. Hot glue gun D. Floral super glue

Amember of the Otomi, an Indigenous people in Central Mexico, Octavio Medelin immigrated to the United States as a child, and his sculpture bears the impress of traditions on both sides of the border: US based modernist sculpture, Mexican modernist painting Otomi art, and the ancient sculpture of other Mexican Indigenous peoples, including the Maya. In his 1950 masterpiece History of Mexico, Medellin fuses these Influences into a style so idioyncratic that It resists efforts to view his work through the lens of nationality or cultural identity, Artists, he insisted, should strive for individual expression, even as they draw inspiration from their heritage and the communities where they live and work. Which quotation from an art critic most directly challenges the underlined claim in the text? __ A While A History of Mexico features modernist motifs it relies primarily on angular human forms in profile-a staple of Maya __ sculpture-and thus invites classification as Indigenous art: D "Although a number of ancient Indigenous artistic traditions pictured human forms in profile, the forms populating the surface of A History of Mexico suggest a specifically Maya influence." C "In A History of Mexico, the synthesis of ancient and modernist traditions functions as a stylistic parallel to the work's subject matter:a survey of centuries of Mexican history: D "Many critics focus on Indigenous influences in A History of Mexico and other key works by Medellin to the exclusion of influences

A member of the Otomi, an Indigenous people In Central Mexico, Octavio Medellin immigrated to the United States as a child, and his sculpture bears the Impress of traditions on both sides of the border: US based modernist sculpture, Mexican modernist painting, Otomi art, and the ancient sculpture of other Mexican Indigenous peoples, including the Maya. In his 1950 masterpiece History of Mexico, Medellin fuses these influences into a style so idiosyncratic that it resists efforts to view his work through the lens of nationality or cultural identity. Artists, he insisted, should strive for Individual expression, even as they draw inspiration from their heritage and the communities where they live and work. Which quotation from an art critic most directly challenges the underlined claim in the text? Choose 1 answer: A "While A History of Mexico features modernist motifs, it relies primarily on angular human forms in profile-a staple of Maya sculpture-and thus invites classification as Indigenous art: B "Although a number of ancient Indigenous artistic traditions pictured human forms in profile, the forms populating the surface of A History of Mexico suggest a specifically Maya influence." C "In A History of Mexico, the synthesis of ancient and modernist traditions functions as a stylistic parallel to the work's subject matter: a survey of centuries of Mexican history: D "Many critics focus on Indigenous influences in A History of Mexico and other key works by Medellin to the exclusion of influences from non-Indigenous art:

In the 1980s, many musicians and journalists in the English-speaking world began to draw attention to music from around the globe -such as mbaganga from South Africa and quan họ from Vietnam-that can't be easily categorized according to British or North American popular music genres, typically referring to such music as "world music." While some scholars have welcomed this development for bringing diverse musical forms to prominence in countries where they'd previously been overlooked musicologist Su Zheng claims that the concept of world music homogenizes highly distinct traditions by reducing them all to a single category. Which finding about mbaqanga and quan họ , if true, would most directly support Zheng's claim? Choose 1 answer: A Mbaqanga is significantly more popular in the English speaking world than quan họ is B Mbaqanga and quan ho developed independently of each other and have little in common musically. C Mbaqanga and quan ho are now performed by a diverse array of musicians with no direct connections to South Africa or Vietnam. B Mbaganga and quan ho are highly distinct from British and North